Tarek Lakhrissi
Unfinished Sentence II, 2020
30 metal spears, chains, colour filter, loud speakers. Soundtrack in collaboration with Ndayé Kouagou.
Dimensions variables
Exhibition view, Anticorps, Palais de Tokyo, Paris, France. Photo: Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
Unfinished Sentence II (detail), 2020
Dimensions variables
Photo: Aurélien Mole.
Exhibition view, Anticorps, Palais de Tokyo, Paris, France. Courtesy the artist
THE HOURS, 2023
Résine, polystyrène, bois, peinture
110 x 90 x 16 cm
Photo : Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
THE PRELUDE, 2023
Résine, polystyrène, bois, peinture
110 x 90 x 9 cm
Photo : Aurélien Mole
Courtesy the artist and Galerie Allen, Paris
BEAST!, 2022
Performance
Photo: Hervé Veronese. Exhibition view, Festival Move, Centre Pompidou, Paris, France
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.
BEAST!, 2022
Performance
Photo: Carla Schleiffer. Exhibition view, Bang Bang, Tinguely Museum, Basel, Switzerland
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.
BEAST!, 2022
Performance
Photo: Hervé Veronese. Exhibition view, Festival Move, Centre Pompidou, Paris, France
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.
BEAST!, 2022
Performance
Photo: Carla Schleiffer. Exhibition view HKW, Berlin, Germany
Courtesy the artist. Production: Tinguely Museum, Basel / Centre Pompidou, Paris / HKW, Berlin.
Coeur Brillant (or Bright Heart), 2023
HD vidéo, couleur, son
14 mins
Photo: Le Massi
Courtesy the artist and Galerie Allen, Paris. Production: Maison Populaire, Malfamé Productions & Beursschouwburg France/Belgium
Hard to Love, 2017
vidéo, noir et blanc
4 mins 47 secs
Courtesy the artist and Galerie Allen, Paris.
Unfinished Sentence II, 2021
Installation de 30 lances métalliques, chaînes, filtre de couleur, haut-parleurs. Bande sonore en collaboration avec Ndayé Kouagou.
Dimensions variables
Photo : Mark Blower
Courtesy the artist. Curated by Juliette Désorgues. Exhibition view, My Immortal, Mostyn Gallery, Llandudno, UK
My Immortal, 2021
Impression UV sur métal
Dimensions variables
Photo: Mark Blower
Courtesy the artist. Curated by Juliette Désorgues. Exhibition view, My Immortal, Mostyn Gallery, Llandudno UK.
Unfinished Sentence II and Gay Angel (I and II), 2021
Photo : Mark Blower
Courtesy the artist. Curated by Juliette Désorgues,Exhibition view, My Immortal, Mostyn Gallery, Llandudno UK.
Revancharde, 2022
Acier coupé et poli, verre
116 x 32 x 1 cm
Courtesy the artist and Vitrine Gallery London and Basel.
Distorted conception of few revenges, 2022
Acier coupé et poli, verre soufflé
204 x 74 x 8 cm
Courtesy the artist and Vitrine Gallery, London and Basel
Cerbère, cerbère !, 2022
Cut and polished steel, cut glass
135 x 128 x 8 cm
Courtesy the artist and Vitrine Gallery London and Basel. Collection of Mauro Mattei Art Trust, UK and Italy.
GODDAM, 2022
Verre
30 x 20 x 11 cm
Photo: Margot Montigny
Courtesy the artist and Vitrine Gallery, London and Basel
GODDAM 2, 2022
Verre moulé
40 x 30 x 8 cm
Photo: Margot Montigny
Courtesy the artist and Vitrine Gallery, London and Basel
DEVILISH BOY, 2022
Verre soufflé
80 x 22 x 22 cm
Photo: Margot Montigny
Courtesy the artist and Vitrine Gallery, London
This Doesn't Belong to Me, 2020
Polyuréthane, âme métallique, résine époxy, chaînes, terre noire
Dimensions variables
Photo: Aurélien Mole. Exhibtion view, Frac Lorraine, Metz, France.
Courtesy the artist. Fondazione Sandretto Collection. Produced: Fondazione Sandretto with the support of Nuovi Mescenati.
This Doesn't Belong to Me, 2020
Polyuréthane, âme métallique, résine époxy, chaînes, terre noire
Dimensions variables
Photo: Domenico Conte. Exhibition view, Palazzo Re Raudebengo, Guarene, Italy
Courtesy the artist. Curated by Bernardo Follini. Fondazione Sandretto Collection. Production: Fondazione Sandretto with support of Nuovi Mescenati.
This Doesn't Belong to Me, 2020
Polyuréthane, âme métallique, résine époxy, chaînes, terre noire
Dimensions variables
Photo: Domenico Conte. Exhibition view Palazzo Re Raudebengo, Guarene, Italy
Courtesy the artist. Curated by Bernardo Follini. Fondazione Sandretto Collection. Production: Fondazione Sandretto with support of Nuovi Mescenati.
Different Alibis, 2019
Performance, avec Harilay Rabenjamina, Christelle Oyiri et Ndayé Kouagou
Photo: Katarzyna Perlak. Exhibition view, Auto Italia South East, London, UK.
Courtesy the artist.
Diffrent Alibis, 2019
Performance, avec Harilay Rabenjamina, Christelle Oyiri et Ndayé Kouagou
Photo: Katarzyna Perlak. Exhibition view, Auto Italia South East, London, UK.
Courtesy the artist.
Diffrent Alibis, 2019
Performance avec Harilay Rabenjamina, Christelle Oyiri et Ndayé Kouagou
Photo: Katarzyna Perlak. Exhibition view, Auto Italia South East, London, UK.
Courtesy the artist
LE SANG ! / BLOOD !, 2022
Livre de poésie, bilingue français / anglais. Publié par Lafayette Anticipations
82 pages. 26 x 11.5 cm
A horn is a thorn is a horn, 2021
Plexiglas, résine, peinture, chaînes, plaques de polycarbonate, écran
Dimensions variables
Photo: Flavio Pascatori. Exhibition view VEDA, Firenze, Italy. Curated by Cédric Fauq.
Courtesy the artist. Production: Horst Arts & Music.
Perfume of a Traitors (detail), 2021
Acier et chaînes en acier, filtre vert
Dimensions variables
Photo: Jonathan Bassett
Courtesy the artist and Vitrine Gallery, London and Basel.
SPIRALING, 2021
Vidéo, couleur, son, 16:9
7 mins
Courtesy the artist and Galerie Allen, Paris. Collection Defares, Netherlands. Production: Haus der Kunst, Munich, Germany.
A Frame for The Art of Losing (extract), 2021
Vidéo HD, cadre métallique avec lances non finies lances inachevées, CGI : Sybil Montet ; compositeur de la musique : Victor da Silva
1 min 20 secs
Photo: Aurélien Mole
Courtesy the artist.
Perfume of Traitors II, 2022
Acier et chaînes en acier, filtre vert
Dimensions variables
Photo: Stephen James. Exhibition view, Emalin Gallery, London, UK. Curated by Gabriella Nugent.
Courtesy the artist and Vitrine Gallery London/Basel
Perfume of Traitors II, 2022
Acier inoxydable
Dimensions variables
Photo: Stephen James.
Courtesy the artist. Collection Fiorucci Art Trust.
Perfume of Traitors II, 2022
Acier inoxydable
Dimensions variables
Photo: Stephen James.
Courtesy the artist. Collection Nicoletta Fiorucci Foundation.
BETRAYING HIM, 2022
Acier inoxydable
31 x 4.5 x 0.5 cm
Courtesy the artist and Vitrine Gallery, London / Basel
Revenge Fantasy, 2022
Huit armes, du verre et métal,
Dimensions variables
Photo: Isabelle Arthuis
Exhibition view, Tactics of Augmented Dreams, La Verrière, Brussels, 2022. Courtesy the artist. Production: La Verrière, Fondation d'entreprise Hermès
Revenge Fantasy, 2022
Huit armes, du verre et du métal,
Dimensions variables
Photo: Isabelle Arthuis
Exhibition view, Tactics of Augmented Dreams, La Verrière, Brussels, 2022. Courtesy the artist. Production: La Verrière, Fondation d'entreprise Hermès
Out of the Blue, 2019
Vidéo, couleur, son
13 mins
Photo: Aurélien Mole
Courtesy the artist. Production: La Galerie CAC with the support of Département de la Seine-Saint-Denis. Collection of Frac Aquitaine
Sick Sad World, 2021
Bois, polystyrène, tissu, métal, mousse polyéther, polyuréthane, pigments, plâtre acrylique, performance.
90 × 250 × 250 cm
Photo: Rembert de Prez. Exhibition view Risquons-tout, Wiels, Brussels, Belgium.
Courtesy the artist and Théo Démans. Production Wiels, Brussels, Belgium
Sick Sad World, 2021
Performance
Photo: Rembert de Prez. Exhibition view Risquons-tout, Wiels, Brussels, Belgium.
Courtesy the artist and Théo Démans. Production Wiels, Brussels, Belgium